quanah1953 #1; 14 years ago . So the preamp on-stage might be over-complicating things. The KMS 105's supercardioid pattern and transparent Its precision manufactured condenser capsule offers true Neumann sound quality, combined with all the virtues of a rugged stage microphone: excellent pop protection, low handling noise, enormous SPL capability, and high feedback resistance, thanks to its tight supercardioid pattern. I currently own a Shure ULXS4 receiver and a ULX2 wireless transmitter with a Beta 87A cartridge. Reputed to be the best hand-held mic built (per Neumann). Rode S1 vs. Neumann KMS 105 ... /11/11 7:58 AM What do you think about Rode S1? It's all in the whole chain! Available colors: User rating ... suggested Shure SM7B Shure SM58 Shure Beta 58A Shure Beta 87A Neumann KMS 105 Sennheiser e 945 Sennheiser e 965 Shure SM7B Shure SM58 Shure … EN PL DE. You said you didn't like the 104. ... A lot of people seem to like the OMs. I'm a little late on this thread. I have found the kms 105 to be a fantastic mic for any live usage. I have to agree with Thomas here - small loud stages are best handled with less sensitive dynamics, I think. Effortless almost, and it sounded great! I've used the Shure Betas. I have both...2 x KSM9's (new) and one KSM 105 (used, not working now)...when the 105 was working it was similar to the KSM9, but i liked the shure better (thats why i have 2...replaced the neuman). The peaks are usually down -3dB across the DBX. It is also very nice for recording the acoustic guitar. Now not so much. The 105 is a super card, not hyper card, bit of a difference in polar pattern, off axis rejection and off axis coloration. FR curves are similar (KSM9 has less proximity effect; KMS105 a bit smoother HF bump) and both seem to allow a good singer to sound, well, … 1.93 in. I just picked up a kms 105 and am very impressed with it. Today I review the Neumann KMS105, one of the best live stage microphones you can buy. Well, it ain't a studio sample... but here's our worship leader on a KMS105 in a board mix recorded at a Sunday service in November. In their price range I'd much prefer a sennheiser or beyerdynamic dynamic mic. Shure Beta 57 works amazingly well on a Baritone voice. Of course, but in your situation do you think grabbing a 105 would have been the answer? Shure KSM8 vs Shure KSM9. Subject: trying to decide between a NEUMANN KMS 105 or a SHURE KSM 9 mic. The 104 is cardioid and the 105 is hypercard. This particular mic, in my opinion, is truly outstanding on stage. Switchable between cardiod and hypercariod. There was no convincing him that it was the wrong mic to use, he loved the "sound" of it. I've heard from several FOH pals that the KSM9 and KMS104/105 are sonically very much in the same ballpark. Excellent with acoustic artists. It is a very impressive live vocal condenser. ... is rated at 22dBA which is a little bit on the high side compared to other handheld condensers such as the Rode S1 and Neumann KMS 104 which both check in at 18dBA. This particular mic, in my opinion, is truly outstanding on stage. View deals. They aren't in the same league as these mics. I'm working in a big jazz club here in San fran that has a house wired sound system- the speakers are all in the ceiling. I own a Neumann kms105 but wonder about the Shure ksm9 as I originally wanted a live condenser mic that resembled my bassists ksm32. Honestly, that makes me want one, but I really need to have a shoot-out between the two of them. Hello all, regular lurker on the GS forums here. I'd love any reviews from those of you that are familiar with them. Shure KSM9 vs Neumann KMS 105 When you buy products through links across our site, we may earn an affiliate commission. Buy both! I'm testing a KSM9 obtained from ebay- sounds dark and needs tons of gain... maybe 20db more than an akg 535eb - is this what others have experienced? I agree the 105 isn't very rock and roll. I was wondering if y'all would help me out with a bit of knowledge. Ancient Skies Sample.mp3 (4.67 MB, 28546 views). Can I just say, thanks for pitching back in Icarus. For those with stellar voices performing in controlled environments I would say perhaps the Neumann may be a better choice. I don't like them at all. Hence, finding a good microphone for such purpose is … For those comparing the ksm9 to the kms105, I have owned both and the shure is much more suited to my voice and stage demands. Skykrab, May 19, 2011. In this situation, you're quite lucky in that the 105, 104+ or KSM 9 will all give such a good sound that you can use them in very diverse circumstances and with very diverse styles of music. Shure KSM9. I feel like I'm screaming myself hoarse everynight just trying to be heard. I once worked at a church and the music leader had a certain midrange to his voice. One of the guys at church uses Neuman KMS-105 at church for lead vox and I was REALLY gassing for this mic before we started using it. When you buy products through links across our site, we may earn an affiliate commission. I sold my KMS 105 to buy the KSM9, and I like the Shure … I'd never been a big fan of AT mics in general but this was the answer for his voice. If I mess up, shame on me. The 104 is cardioid and the 105 is hypercard. Very natural and lush-sounding, even when the singer backs off by a foot. Slightly more rock n roll..superb feedback rejection too. Anyone tried both? We do everything popular, and not so popular from Beatles to now! It really depends on the PA. Let's get this straight: the Neumann KMS 105 sounds even better! The Shure case is, obviously, better protection but a microphone bag is more likely to be the kind of case used for a touring mic. There is a reason why Dylan and Streisand preferred the AE5400 at the grammys (2011). I agree. Re: Shure Beta 87c Vs. KSM9 Keep in mind that 'which mic' is a big mix of personal preference and which fits each voice the best. Shure KSM9HS Dual-Diaphragm Condenser Handheld Vocal… › Questions & Answers Shure KSM9. I also have been using it to track vocals and it is real nice for that too. I even used it to pick up the ambient sound of an electric bass to mix with the direct signal with great results. Carrying mics is a good thing because you never know what you're going to get, but plugging in a Grace preamp to a pair of SX100's seems a little overkill to me (again, just assuming here). Either would be more than sufficient to get the job done, though I could see the 105 being used as an instrument mic as well. Personal preference, the KSM9 is nice, but overall I like the E9xx mics better. Sennheiser e 965. If you mean that one, yeah, I'd like to try that as well. The KSM9 from Shure Inc. of Niles, IL originally debuted as the microphone part of the high end UR24S/KSM9 wireless system. Its hard to find just to sample or A/B August 2, 2006 @06:33pm. Categories; Brands; Versus; EN. Ive the Neumann KMS105, and really enjoy it, but Im thinking about trying the KSM9. When you buy products through links across our site, we may earn an affiliate commission. The KMS 105 is developed to optimally transmit the human voice making it the first choice for demanding live applications. Yeah, I should clarify: I tried the kms104 versus some other mics and it was hands down the best, but I didn't get a chance to A/B it vs the 105 or the ksm9. Thanks! Just wanted to say I, too, perform live gigs as mostly a solo (occasionally duo) acoustic act, and I love the KMS105. I tried every high end mic out there: KMS105, Audix VX10, Beta 87, Earthworks sr69, e835, sm58 (the KSM9 wasn't out yet), but found the best mic for his voice was an AT AE5400. If so, how do they compare? Shure KSM9. Your weakest link is your best sound! 1.93 in. Reviews . Thin crew... no time or eyes to watch the record levels... so there's another -3dB or so on the entire mix at that point. For comparison, Neumann KMS 105 capitalizes a bit more on the lows, working its proximity with a little more boost and empathy there. Shure KSM9 vs Neumann KMS105. In my experience, the 105 is a great mic. I now keep the KSM9 with the band gear and take the 105 out on solo acoustic tours. Shure KSM-9 or Neumann KMS 105? I used a KMS 105 recently and I was blown away! It works famously on snare and I love them on reeds too, especially when the musicians adjust their mic stands for solos and such. As for what you say about them being revealing of vocal ability, I'm not worried about that. Good luck! It is smooth and full sounding compared to the beta87a and much more forgiving and feedback resistant on loud stages than the Kms105. So I ended up ordering both the KSM9 and the KMS105, with the intention of returning one. The house sound guy won't necessarily be in a position to take balanced line-level from stage. Try out the audix om7 too, its a great live mic for male voices. It's much better for band touring - excellent rejection, but great tone and response. KSM9 microphones offer exceptional consistency across all frequencies, providing more gain before feedback, while decreasing proximity effect. Most stage microphones make use of dynamic capsules, as they don’t require a power source and can thus be used almost anywhere. EV and Sennheiser both package their mics in the usual zipper bag. I'm not excusing bad mic technique; I'm saying that there are different tools for different jobs. It sounds great, don't get me wrong but unless you are using in ears and have a controlled stage volume I think the Shure … Someone says S1 has less feedback problems. The KMS 105 is designed for close micing in nearly all aspects. Shure KSM9. Neumann KMS 105 and Shure SM58 Design Moving further, let's see the external of these microphones and starting with Neumann, this one comes in a Velcro pouch that stores the unit and its mounting to handle both threading which is very impressive yet, not surprising for the price point. The audix vx10? The KMS 105 is a studio grade vocal microphone for stage use. The Neumann capsule can be ordered on a Sennheiser transmitter for wireless (Sennheiser owns Neumann). It's a fantastic microphone. Sure, a nice preamp would be cool to have, but I don't think it's going to be a huge improvement of the sound. I'm testing a KSM9 obtained from ebay- sounds dark and needs tons of gain... maybe 20db more than an akg 535eb - is this what others have experienced? The BGVs are all on SM86s, and the vocal submaster is run through a DBX 166A comp/limiter. Shure KSM9 Shop now at Amazon. I have used 58's that have sounded better than Beta 87 with above average PA's. Another which I fell in love with when trying it out in a nearby music store is the EV ND767. Handheld microphones come in a variety of shapes, sizes, and price points, but there are a few that rise above the competition. Frequency response seems to be very similar. Shure KSM9HS. Discussion in 'Recording/Live Sound' started by DGTCrazy, May 18, 2011. Also no information anywhere on the polar patter options of this replacement cartridge. Microphone Shootout, Microphone Comparison, Premium Condenser, Stage Vocal Microphone, AKG C7, Neumann KMS 105, Shure KSM 9, Sire Monster 7 Red But for acoustic and some R&B-type acts, it works very well (for me). I love the KMS105, but it can be havoc on a small stage with wedges. However, the KMS 105 is not the best mic for live performance, as it is especially more susceptible to feedback and is poorly suited for a more aggressive environment. I like the KMS105, but its good sensitivity can be a problem in this situation. But I agree with you that, for the most part, the sound quality of the leakage is pretty decent for a handheld mic. Blue Room technical forum: Neumann KMS104 or Shure KSM9? It's not necessarily as bright as the KSM9, but you won't spend a small fortune and it's an absolutely fantastic sounding microphone. Read also: Shure SM7B Vs Rode Procaster. But... you can hear how it sits in a live mix. I'm wondering if something is wrong with the mic... YouTube - Bo Bruce - Black Ice (Acoustic), Anthem | Acoustic Pickups and Electronics | LR Baggs. ... Neumann KMS 105. I haven't heard the top-of the-line Shure KSM9 yet, however I have used a Shure Beta 87A since they came out and I liked them better than a regular 58. These mics include Shure SM57 and the new TC Helicon 75 (which I bought to use with my voice live foot pedal). I like the response of this mic and it made the night so much more enjoyable. It is smooth, while very accurate and clear. Shure KSM8 Shop now at Amazon. Since this is not a serious record effort (mainly a backup CD for the video capture for webcast of the message) it's also run through an AutoCom on the way to the Tascam burner. I would say that these mics are evenly matched in caliber, with a few variations. I read post claiming it is compatible although Shure does not. You could also get the venerated Neumann KMS 105, about $629, I think. It would be right to say that the kms 105 and the Rode s1 can both be terrible on the wrong vocalists and good on the right ones. The worst thing about it is that it makes me want another Neumann for the studio. These mics are all similar in quality, the small differences make each the right mic for a particular singer. Most mics are not returnable so I would really like to know the answers before I buy. Thank you for the responses guys. But why limit it to those two? I like it heh. Works great as a mono drum kit mic for small jazz ensembles as well. Comparison of Shure KSM9 and Shure KSM9HS based on specifications, reviews and ratings. It has also come to my attention to try the Sennheiser E965. I have an ae5400, I would try the Audix also, It's the other top contender in this category. For those comparing the ksm9 to the kms105, I have owned both and the shure is much more suited to my voice and stage demands. I guess I wanted a little more evidence that the ksm9 and the 105 will get the job done from people with experience. Guest. When you're not using the 105 on voice...try it on snare. Sennheiser e 945. Guys, If you do a shootout of these all great mice, please consider also the Heil PR35. Thanks thumbsup. Shure did not have such a mic then but they do now. Is the SHRPW184 KSM9 replacement cartridge compatible with my current system and does this replacement cartridge offer a selectable polar pattern like the KSM9 Microphone? I play small rooms with a Martin acoustic plugged in and it is way better than the beta 58a I was using. Wow, came back to this thread and I'm surprised at the large amount of constructive feedback. The Neumann KMS 105 handheld condenser microphone gives you studio-quality vocals live on stage. Neumann ships the KMS 105 in a narrow slightly padded nylon case, similar to a small tool case. I used (and still use) the 105 for years on the road, but about a year ago got the Shure (KSM9HS, I believe) as well. Wouldn't be my first choice in those situations. Cool! Re: OT: Vocal mic Neumann KMS104/105 or Shure KSM9 I replaced all our SM58's with Electro Voice ND767a's They are inexpensive (street price in the $80 range), with better freq response than the 58's and much better feedback rejection. You are already looking at the right range of vocal microphones if you are looking for highest quality on your vocal: I would also add the Sennheiser E965 to that list. But I think either a Sennheiser e965 vs Neumann KMS 105 or 104 (which apparently has a bit more bass proximity) is a GREAT choice. Quality of diaphragm components Shure KSM9 has a “low mass” “gold plated” “Mylar” diaphragm,. Let's get this straight: the Neumann KMS 105 sounds even better! I'm glad to hear that it is working well for you. So between the two the KSM9 is probably your best bet. Samson CL5 has a golden capsule as well. I've never AB'ed the 104/105 but I would think they would sound the same if you're on axis.
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